Liam and Noel Gallagher should knock off the stupid bickering and reunite Oasis already!

     Since the mid 1990s, during which they were arguably the best band around, Oasis founding members, brothers Grimm or Gallagher (whichever you prefer) did little more than reinforce negative Irish stereotypes when they weren't making music. It was quite a funny scenario actually. Liam sang, Noel wrote songs and played guitar. Noel was jealous of Liam because he could sing. Liam was jealous of Noel's ability to write songs and play guitar. The two would go to bars, get drunk, and start fighting until they got kicked out. Oasis eventually split up when the situation reached a point where they just couldn't work together anymore.

     Maybe you're rolling your eyes as you read this. I hope you are, because it really is a dumb scenario. Liam and Noel, you two are brothers, for Christ's sake, and talented ones. You can't just do something like that to your family, and you really left the fans hanging. It's not that the music you've made since Oasis isn't good, it's just that Oasis should still be making music and touring. You're definitely young enough still to have the ideas left, and there is a market for the kind of music you make to attract a young audience. You two should be happy with the abilities you do have instead of wanting to be like the other one, because Oasis was the combined talents of both of you, and neither one of you was more important than the other. Do the whole world a favor and reform Oasis. Get over yourselves. Jealousy is never worth it.

Find me on Tumblr!

     Am now getting more used to using social media and stuff! Just launched my Tumblr account. You can find me on there, at  http://alixroxie.tumblr.com/. I do pretty much the same stuff there as I do here, or on my Twitter, lots of fun things about rock and roll, articles and stuff. Lots of fun photos, quotes and facts. Please check it out and follow me! And for those who missed it, I'm also on Twitter at https://twitter.com/AlixRoxie. More social media to come soon... maybe I'll even conquer Facebook...

Do Religion and Politics Have A Place in Rock and Roll?

     Do religion, politics, personal opinions and other such concepts have a place in rock music? Well, considering the number of songs with these undertones and references, obviously it has a place, but should it? While some people enjoy rock music spreading Christian ideals instead of supporting our buddy  the devil, others find it simply preachy and irritating. A political viewpoint expressed by John Lennon might enlighten some, and apall others who just don't agree with him. Rock and roll, should it be escapist, or should it have a message?

     Let's start with one end of the spectrum. Def Leppard and Whitesnake considered themselves to be the ultimate escapist bands. Joe Elliott himself has said that a lot of bad stuff happens in the world, you know, you turn on the news and you hear about some disaster, and so people turn to music to escape from these things. When Joe listens to music, he doesn't like to hear people whining about politics or the state of the world. He just likes good, fun music that he can enjoy without an ulterior motive. 

     There is only a very slight note of hypocrisy here. Def Leppard themselves had their political stuff. It was in smaller quantities then the sex, drugs and rock and roll oriented music they were best known for, like Pour Some Sugar On Me, but it was there, and mostly it dealt with anti-violence; Gods Of War, a shot at war-mongering governments, Die Hard The Hunter, the story of a violent soldier who cannot refind a tranquil life after coming home from battle, Billy's Got A Gun, a violent street kid lashing out against his environment, Paper Sun, about a mid-90s bombing in Ireland. But while Def Leppard had a specific set of opinions, they never became pushy or annoyingly political. (If you're not a diehard Lep fan like me, you might think otherwise, but hey, to each his own opinion.) Funny though, all this coming from the band that describes their music as AOR: Arson Oriented Rock.

      Robert Sweet, of Stryper, feels that rock music should have an opinion and a message, and a positive one at that. Rock music is what inspires and motivates legions of young people, and when it conveys dark messages, it had a negative impact on society. Sweet, of Guns N' Roses, said that they made very good music, but everything was linked to death, which ultimately is "wrong." And well, I can see the truth in his point, but I think this old theory of rock and roll being devil's music is jaded and senseless. And Sweet and his band maybe went a little too fast in that direction. Stryper was a shameless Christian band, whose songs were quite obvious and all about Jesus. I like their music, but I find the references tiring after a while. I prefer Triumph, who were also definitely a Christian band but who were more subtle. Their references were there, if you wanted to hear them, but you weren't constantly being reminded that you were listening to religious music. It was just good.

     But on the subject of Stryper, I really respect their Christian roots, and I admire that they had the guts to be the band they were in the age they were in, but to me, tossing copies of the Bible into the audience is going a little too far. (By the way, were there every any Jewish rock bands? Haven't heard one yet!)

     When one thinks of political singers, I guess John Lennon is the number one guy that pops into everybody's minds. John had some pretty strong beliefs, and he want afraid to share them. Fans of his music usually tend tobe people who agree with him on most matters, and the people who disagree tend to despise him. And while I believe that you have the right to your own opinion, like you can hate somebody if you want to, I think it's unfair to hate somebody personally just because you disagree with what they have to say. Ultimately, politics are shallow, and can't be used to judge one's true character. Some of Lennon's music pisses me off... In fact, probably everybody disagrees with a few of his songs. But if you look a little closer, you might find that some of his views are perfectly compatible with your own. So like or  dislike Lennon, but respect him for having hits say. Don't hate him because guys thoughts weren't yours.

     My final opinion will conclude my main statements about John Lennon, Def Leppard and Stryper, and is that I believe in freedom to speech, freedom to say whatever you want, and if you have an opinion you want to share and you want to share out through music, go ahead. And I always admire people who speak their minds and make their statement without worrying aboutwhat others will think of them. As a listener, you can just choose to listen to more light hearted music, for there is plentyof it out there. (Long live Cinderella!) As long a the morals don't get too pushy (sorry, Seals and Crofts) and the religious references aren't too blatantly obvious and irritating (sorry, Stryper) then go ahead and say whatever you want to. It is your God intended right to.

Axl Rose: Arrogant Asshole, or Misunderstood?

     MISUNDERSTOOD.

     Go ahead and say, Nah, asshole, and this chick is wasting her time looking for nice things to say about him. 

You read some of my previous stuff and you'll see that I am inclined to back up unpopular rock stars, like Ritchie Blackmore. I'm not spending my time defending these guys for argument's sake, or just because they made good music. I know there are jerks in the music industry, don't think that I'll get mad at anybody who calls a rock star an asshole. I'm writing this because Axl Rose really, really needs somebody out there supporting him, and telling the world that he really was an amazing person, because he's not getting enough of that and honestly, it's sick.

The general perception most people have of Axl was that he was crazily egotistical and would treat others around him like dirt, and that he was completely heartless. Now, I'm not going to say that Axl was the sweetest guy out there. He definetly wasn't. But a lot of the things Axl was known for really weren't the way they seemed, and I would like to step back and look at some moments from Axl's career.

     Like the incident in which he attacked an audience member and broke his camera. Come on, that guy was asking for it. He was distracting Axl while he was on stage, and being rude to him. He provoked Axl very deliberately and he only got what was coming to him.

     How about the way he would keep the audience waiting for hours before a show? Steven Adler said it himself in his book: Axl wanted an emotionally charged atmosphere. He was such of passive fans who didn't seem to care much about seeing the band, he wanted to make sure everybody was good and ready. And remember the timeslot too. The early 90s were all about non caring. Axl was an extremely sensitive and emotional guy, and he hated that.

      The way Axl would make his band wait for him in Chicago, or the way he would have them play songs they weren't familiar with, well, no excuses so far for that. Like I said, he was no saint, and the main purpose of this article is not to make him seem like one, but just to let you know he was all right. 

     Here's a perfect example of this. In 1989, GNR made guest appearances in the Clint Eastwood movie The Dead Pool. All the band members were featured, except Axl. Most people assumed he had snubbed the movie. You know what really happened? While his scene was going to be filmed, he was in the hospital, keeping Steven Adler company. Steven wound up there after a stripper snuck some heroin in his tea, and he overdosed. There you have it- Axl really was human. He missed a big chance to be there for a bandmate who really needed his help.

     A lot of Axl's erratic behavior can really be described- not necessarily justified, but explained, by one simple fact: Axl was manic-depressive. Or so I read in Steven's book. That explains the moodiness and the unpredictability for sure. Manic depression is a severe, clinical mental case and is not something to be shrugged off and ignored. 

     Axl Rose was an extremely smart guy, easily one of the smartest guys the music industry ever saw. He also had a very unique perception of the world, and a poor home life. All those things can have a profound impact on how you live your life and treat others. I really understand this in Axl, cause I am the same way myself. He saw things in a way others didn't, and he sometimes became frustrated because others couldn't understand what he was seeing, and couldn't understand him.

     If some of this isn't convincing you, well, I have one major argument left, and that is a song called Estranged. That is Axl's work through and through, and it is one of the most epic, haunting, emotional and soulful songs ever written. There is so much feeling in the vocal performance and only a supremely intelligent, perceptive, real human being could have written it. To me, that song expresses so perfectly what human emotions go through during the loss of a relationship and a large, painful change in your life. Axl wrote it personally about his marriage to Erin Everly, and the pain and struggle it put him through. No mere arrogant jerk could have created such a powerful, important, and heartfelt song. It took a beautiful person and deep genius to create it, and it showed the world the side of Axl which is just that. To all GNR fans or just good-hearted people out there, I want you to see that person when you look at Axl. Not the guy who started riots and held people up, but the soulful small town boy who found himself coping with a situation he couldn't handle, that of fame, and went over the top a couple times, but who always had a big heart and left a legacy behind him that no artist has done since. And I say, God bless Axl Rose.

A most touching tribute to Steve Clark

     I can hardly think of a rock and roll death that chokes me up more than that of the beautiful, talented Steve Clark of Def Leppard, and I certainly am a sucker for any kinds of Steve Clark tributes or kind words said about him. If he was still with us, he would be 54 as of yesterday... (Happy birthday Steve.) Of all the videos I've watched on YouTube in his memory, I've got to say I was the most satisfied with this one... A lovely slide show dedicated to him with a song which is, in my opinion, one of the best tributes ever to a person deceased: Song And Emotion by Tesla, one of the best bands of their era, written just for Steamin' Steve. Enjoy the video and Long Live one of the true Guitar Gods. He went so far before his time...

Tesla- Song and Emotion-Steve Clark

Who does David Coverdale think he is?

Any rock and roll fan will tell you that Whitesnake and Deep Purple were two of the most important, influential and downright awesome bands that have ever lived. A certain Mr David Coverdale was lucky enough to be a member of both of those bands: he replaced Ian Gillan in Deep Purple in 1973, and then launched Whitesnake in 1978. Over the years, Coverdale has had the opportunity to work with many of the most amazing musicians who have ever lived, between the two groups: Ritchie Blackmore, Jon Lord, Ian Paice, John Sykes, Don Airey, Adrian Vandenburg, Tommy Bolin, Glenn Hughes, Steve Vai, Vivian Campbell, Rudy Sarzo, Tommy Aldridge. Not a bad list, and I'm probably missing some. But Coverdale never really had anything nice to say about all these greats, especially the guitarists he worked with.

     Before I go any farther, I've got to emphasize that one of my pet peeves are musicians who badmouth other musicians. I find it trashy and low-class to the extreme, because being a musician is not easy, and the people who should understand that better than anybody else should be other musicians. They're like members of an extensive family to me, and when I hear one musician saying another one is no good, or just an asshole, I really resent that. Maybe they're completely right in what they're saying, but still, it's just a very rude thing for one musician to go around trashing other ones.
     My incriminating piece of information was the February 1990 edition of Guitar For The Practicing Musician magazine, in which David Coverdale talks about all the guitarists he had worked with to date. All he did was bitch and whine and bitch and whine some more: all in all, it was an infuriating article. First he talked about how much he hated working with Ritchie Blackmore, and while it's known that people have conflicting opinions of Blackmore (view my previous post, Ritchie Blackmore: The Great Debate) it cannot be denied that if nothing else, he was a fabulous musician. Not once did Coverdale say anything resembling that. He just talked about how if Blackmore wasn't such a perfectionist, he would have been a better musician. I disagree strongly- Blackmore's constant search to be the best musician he could possibly be was what made him so great. And for Coverdale to be so outright rude to the man who gave him his chance in the rock and roll industry and made him what he was... I lost a lot of respect for Coverdale when I read this.
     But what he said next was even worse. He started going after Tommy Bolin too. I for one, am a huge fan of Tommy Bolin. I don't think he was right for Deep Purple, but I love his playing. Coverdale says he did too, but then started talking about how he could have been better if it wasn't for the drugs. Coverdale had no  business making that comment- the drugs were Bolin's own business, and they cost him his life far too soon. And for all we know, without the drugs, it's possible that his music skills wouldn't have been what they were. A lot of musicians make their best music under the influence of drugs, and it was sheer ignorance and rudeness, for Coverdale to say that.
     He said fairly nice things personality wise about the early guitarists from Whitesnake, but never once did he say they were good musicians or made any statements about their musical fortes. Just talked about what great guys they were.
     Then it got really bad... Dave started talking about John Sykes like he was some dumb, immature kid who was selfish and hung up on himself, who wasted money in the studio and ultimately just wasn't a good enough guitar player for Whitesnake. I understand that personality clashes do happen sometimes, and that it's possible for two great guys to just not get along very well, like Don Dokken and George Lynch for example. But here I'm inclined to say that Coverdale was the one at wrong here, especially considering the relationships he had with his previous guitarists. Again, Coverdale had not much to say about what kind of a musician John was, and makes it sound like Sykes only gained skill once he had taken him under his wing. As a professional musician in a professional musician's magazine, Coverdale should have stuck to the facts about the music instead of letting his opinions be prejudiced by his bad personal experiences with his musicians.
     Vivian Campbell and Adrian Vandenberg were the next two in Whitesnake. Viv left early cause, according to Coverdale, he "brought bad vibes into the band". Yeah, leave it to Coverdale to go saying that Campbell was the one who made the atmosphere more tense. Again, I'm willing to believe that sometimes two good people just don't get along, but we've been seeing quite a bit about that lately and really, how many personality clashes can you have? At press time, Vandenberg was still  member of Whitesnake, so what Coverdale had to say about him was mainly positive. Not very encouraging, but positive. There was a little more gushing going on over Steve Vai, which I did appreciate, because it was nice to see Coverdale being a little bit more enthusiastic about one of the many great musicians he worked with.
     Vandenberg continued to work with Coverdale and Whitesnake on and off during the 90s, but basically, after the great Slip of the Tongue album in 1989, Coverdale fired the band while on one of his massive ego trips. I guess he couldn't stand not being the best looking member of the group any longer... Since then, he has hired mainly groups of faceless- very talented, but faceless- musicians, and hasn't really produced anything really worth listening to. Maybe if Coverdale had treated his guitarists a little more respectfully, and was a little more secure in his own skin, he wouldn't have reacted the way he did to his group's fame, but sadly, that was the way it went, and can't be changed now. If he hadn't been such a prick, Whitesnake might even still have been making really great music into the 90s and maybe up until today. But no- he just couldn't work with the greats anymore the day it all became about him...
     Normally I would put a picture of David Coverdale at the bottom of the page here, which is standard of my writings, but I'm a little tired of hearing about him right now, so here's a picture of the gorgeous Adrian Vandenberg instead. Ha. Enjoy!
(And for the record, I still absolutely love Coverdale for his music.)

Andy Johns remembered

Andy Johns is a name that may not be known to all listeners of music, but all listeners of music have certainly heard some of the music he produced. In his career, which lasted from the late 1960s until just a couple days ago, as a producer and engineer, he worked with artists including Led Zeppelin , the Rolling Stones, Free, Rod Stewart, Wildside, Van Halen, Humble Pie, Television, Mott The Hoople, Joni Mitchell, Ron Woods, Cinderella, Autograph, Joe Satriani, LA Guns, Doug Aldrich, Bon Jovi and Steve Miller. (Pretty sweet repertoire!) Just a few days ago... on April 7th... Andy passed away from a stomach ulcer at his home in California, at age 62. RIP, bro... There weren't many guys like you out there, and as long as "rock and roll lives and breathes in the hearts of the young" (to quote Triumph) you will be remembered and missed by all.